Review: ‘Designer Drugs (EP),’ Corner Boy P & Mary Gold (Prod. by Samir Urbina)

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I have long been a fan of New Orleans rapper, Curren$y, but it took a little while before I could fully rock with his musical collective, Jet Life. Members of the group are Young Roddy, Trademark Da Skydiver, Fiend (yes, No Limit Fiend), Street Wiz, producer Monsta Beatz, Mary Gold, and Corner Boy P. While they’re not all that diverse in terms of musical stylings (except Mary Gold, because she’s a beautiful, perfect alien), it’s a solid group, and like their leader, they have all mostly honed the art of “lifestyle rap.” So when I heard that Corner Boy P and Mary Gold would team up to drop Designer Drugs on July 4, I knew I had to add it to my music library immediately.

Corner Boy P has been getting a lot of play from me lately, and that goes double for his latest solo effort, DON P, which has gotten me through a few dozen sessions since its release. Mary Gold is my favorite music artist out right now. I love her voice, I love her style, I love the style of her voice, and I love the voice of her style, if that makes a semblance of sense at all. Her Sex Hormoned Druggie mixtape was one of my favorites 0f 2013, and its appeal is still incredibly strong. Mary Gold could drop a tape in which she raps about how she hates to rap and I’d clamor for it to get 5 mics, two thumbs up, a 10/10, and Nobel Peace Prize…all at the same damn time.

“Intro” – Nothing special, really. Just what sounds like a newscaster’s voice (likely generic) informing us of the new wave, “designer drugs.”

“MCM Shades” – I’m not sure if I’ve ever heard Urbina’s production before, but if this was our first meeting, it was definitely a good one. Corner Boy starts off “MCM Shades” but it’s Mary Gold who steals the show with her delivery on the hook: “MCM in my shades, baby/You gon’ feel me, feel me…” And of course, starting her verse with “I’m a smooth bitch,” Ms. Gold set the tone for the rest of the EP, in my biased opinion.

“Remember Me” – The title is self-explanatory: “When it’s all said and done, will they remember you?” And, this is a very important question for any artist to contemplate. What will your legacy be? Corner Boy bats first, rapping: “She switch up every week/Addicted to the fame/When you lose it, tryna chase it using cocaine and extacy…” Along with making lifestyle rap, Corner Boy makes what I like to call “grinder music.” Whatever you do in life, you grind while doing it, basically. Mother Mary asks, “What you gon’ do when them lights out?” and speeds up her flow a little bit initially before reverting to her half-singing style that seemingly always gets the job done. Sickest beat on the Designer Drugs EP, for damn sure.

“Roll Up” – Oh shit, I think I love everything about this fucking song. The production is perfect for this kind of song. It could easily be played in a trap nightclub or beach party in the Hamptons where rich White kids snort everything that can be turned into powder. With a sort of 80s vibe to it (sounds like something Sade would rap over), it matches the tone of the lyrics Corner Boy drops to kick things off. Mary spends about 45-50 seconds singing “roll up” and “roll up for me” about as sexy as she possibly can before Corner Boy spits a dope, succinct verse that doesn’t even last 45 seconds, if I’m not mistaken. The break into the hook, the hook itself, as well as Corner Boy P’s verse, make this my favorite track on Designer Drugs.

“What You Got 4 Me” – Okay… “LUXURY/GIRL LIVE IN LUXURY…” Woo! Fiend makes a guest appearance, too, and it makes this track even doper.

“Outro” – This EP started with nothing special, and ended with nothing special, which was somewhat of a disappointment.

I don’t expect Corner Boy P and Mary Gold to team up again in the future, although I think they should. Then again, I’d much rather hear her collaborate with Curren$y for a full-length project, or even Young Roddy, two artists who I admittedly prefer over P. Urbina has a relatively unique sound, and partnered with the drawl of P and unabashed style of Mary, it helped make Designer Drugs a pretty good EP, despite the fact that I feel robbed, having only gotten 4 songs. Nevertheless, this is worthy of addition to your music library, especially if you’re a brand whore whose infatuation with materialism extends all the way to your drugs of preference. Good music, loves. Get into it.


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